How to Train Your Dragon 2
Music composed by John Powell
Orchestrated by: John Ashton Thomas, Andrew Kinney, Randy Kerber, Dave Metzger, Tommy Laurence, Pete Anthony, Germaine Franco, Jeff Atmajian
Additional music/arranging by: Paul Mounsey, Anthony Willis
Score Recorded at Abbey Road Studios, AIR Lyndhurst
Additional music/arranging by: Paul Mounsey, Anthony Willis
Score Recorded at Abbey Road Studios, AIR Lyndhurst
Album time: 68 minutes
Available on Relativity Music GroupHow to Train Your Dragon 2 continues the adventures of hero Hiccup and his dragon Toothless. It's also the follow-up to the massively successful How to Train Your Dragon (2010), both a box office gem and two time Oscar nominee (Best Animated Feature and John Powell's first nom for Best Score). Both the first film and score are personally held in high regard, I was slightly nervous yet optimistic about this score. Taking more personal time out from scoring, Powell has done only animated films since 2011, including Rio, Kung Fu Panda 2, Happy Feet Two, The Lorax, Ice Age: Continental Drift. This year he also scored the sequel Rio 2.
For lovers of the first score, I can say this score can be held proudly next to it. The strong themes from before appear throughout the score, often with variations in context and orchestration. Three major new themes appear in this score, one for Valka, villain Drago and for the song For the Dancing and the Dreaming. These themes are often interwoven with past themes for some breathtaking moments.
It is hard to talk about some of the score/film without spoilers, and even the track names spoil - so I give fair spoiler warning here.
The score opens with Dragon Racing - a knockout track full of magnificent writing and rousing returns past themes. One of the highlights of the album, this track will bring you back right into the sonic world Powell started. The Berk theme is used a lot in the track, but the flying theme with choir will put a smile on your face.
Together We Map The World is a sweet track, with a great melody heard later. There are bits of lighthearted moments to match the relationship between Hiccup and Toothless. Hiccup the Chief/Drago's Coming begins with a tender rendition of the romantic theme heard in Romantic Flight. The second half introduces the large choir and propulsive rhythms for Drago. The Berk theme appears slightly hidden under different arrangements.
Toothless Lost sounds frantic at points, with the choir crying out and the melody heard earlier in Together Map the World. Should I Know You begins with the gentle female choir and Valka's theme before combining with statements of the Berk theme. Valka's Dragon Sanctuary is another highlight of the score (and film). Utilizing the choir and Valka's theme and the Map the World theme, there are some magical and majestic moments. Losing Mom/Meeting the Good Alpha begins with a bit of drama before a tender version of Valka's theme rising to a stunning choir crescendo and dropping off to a piano solo.
Meet Drago begins with Drago's theme over a metallic rhythm and choir. His music is menacing at times with quick fluttering blasts, with an exotic flare. In addition, themes from the past film make appearances. Stoick Finds Beauty has some more great usage of a choir and woodwind solos. The bagpipes make a subtle entrance with Valka's theme. Flying With Mother (another highlight), begins with a twinkling intro right into Valka's theme. The melody becomes slightly rollicking, with the addition of female choir and the change for the theme to get a lively full orchestral rendition. For The Dancing And The Dreaming begins as a Celtic tune whistled by the characters, before adding lyrics and turning into a quick jaunt. The song has some comedic moment interruptions, but is a great tune (written by Powell and Jonsi). The melody has been compared to a theme from Brave, and they certainly do share some Celtic DNA.
Battle Of The Bewilderbeast is a massive cue - featuring Drago's fluttering blasts and Hiccup's heroic theme. The flying theme makes an appearance with more excitement and choir this time around. The momentum races to the end with the brass charging ahead until the percussion tag. Hiccup Confronts Drago begins with a martial version of the Dancing Dreaming theme. The bagpipes arrive with a repetitive pattern over a brutal percussion pattern. Stoick Saves Hiccup lets Powell transform themes like Valka's into powerfully emotional moments. The moment the choir comes in is spectacular. Stoick's Ship continues that emotion, with the orchestra, bagpipes and choir bringing the Dancing Dreaming theme into another powerful moment. The swell of the main Dragons theme - first starting as a clear trumpet duet is fantastic.
Alpha Comes To Berk builds slowly, until it reaches the heroic main theme. It also contains some of the brass and choir bubbly sound heard earlier. Toothless Found builds on past themes to an exciting climax full of brass, choir and lends itself to some triumphant moments. The heroics continue into Two New Alphas, a mixture of the film's themes ending with a bow on top. The new themes already feel familiar at this point, and give the score a nice extension of the musical world from the first film. We end with one more flying theme appearance. The album ends with Where No One Goes (sung/co-written by Jonsi). It actually appears early in the film (and end credits) and is based on themes by Powell. I prefer this song to their song on the last film - Sticks & Stones.
It was worth the Powell hiatus to hear his continuation of the How to Train Your Dragon series. While the first film had so many standout cues, this score fits right next to it. The new themes are strong and match the tone of the past themes. As I probably mentioned before, the use of choir in this score is fantastic. The tone of the film really let Powell expand the world and give a bit of maturity to the music. While parts of the first film had more lighter music, this score sounds more grown-up, like the film's characters. I know they plan on making this at least a trilogy, and I can't wait to listen and see what happens next. This album begs to be listened to and enjoyed over and over again.
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